Many of their friendships begin in childhood with a tendency to last them a lifetime. Once they make a clear intimate connection to another person, they will do anything they can to nurture the relationship and make it functional even in the hard times. Family — Home and matters of the family are very important to every Taurus. This is a person who loves kids and appreciates time spent with people who love them, respecting family routines, customs, and present in all events and gatherings.
Taurus representatives usually love money and will work hard in order to earn it. They are reliable, hardworking, patient and thorough, as an employee or someone in a position of power. When focused on a specific project, they will firmly stick to it, no matter what happens in the world around them. Stability is the key to understand their working routine. The search for material pleasures and rewards is an actual need to build their own sense of value and achieve a satisfying luxurious, yet practical way of life.
Their job is observed as a means to make it possible. Taurus is a Sun sign well organized with their finances, and all of their bills will be paid without delay. They care for their pension, taking responsibility and saving some money for a rainy day, able to make due with a really small and a really big salary just the same. Occupations that fit them are agriculture, banking, art, and anything that involves culinary skills. If you are in search for a strong, loyal and generous man, Taurus is the person you are looking for. He is trustworthy, patient and tender when in love, always in search for a returned emotion.
He will not pick on subtle hinds and suggestive looks from those who flirt with him, being a bit slow on the uptake as if waiting for someone to ask them out. He dislikes artificiality of any kind, and values conversations filled with genuine statements, especially when it comes to compliments and love declarations.
A Taurus man needs time to build trust and anyone on a chase for his heart needs to take the time earning it. As a person of very few words, he will seem impossible to penetrate at times, as if nothing can touch him. An invitation for a delicious home-cooked mean is always a safe bet when dating this man, as well as choosing a place that is comfortable and cozy, rather than popular or modern. Turned to nature and common thinking, he will see sex as something that comes when the time is right, rarely puts any pressure on his partner and feels like it is something to be enjoyed, not so much something to crave for.
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A part of his fixed, static character is the potential inability to forgive betrayal, and he needs to feel truly safe to settle down with one partner for good. If you want to seduce a woman born with her Sun in Taurus, you will need to appeal to her sense of romance. Taurus women want to be courted and slowly seduced, even when they have already decided to enter a relationship with someone. They need things to move slowly, and will rarely jump into a sexual bond quickly and without thinking long and hard about her choices.
A Taurus woman longs for true love and security. Jonathan Scott's strange device of garnishing The Nights with fancy head pieces and tail pieces or the splitting up of Galland's narrative by merely prefixing "Nuit," etc. Moreover, holding that the translator's glory is to add something to his native tongue, while avoiding the hideous hag like nakedness of Torrens and the bald literalism of Lane, I have carefully Englished the picturesque turns and novel expressions of the original in all their outlandishness; for instance, when the dust cloud raised by a tramping host is described as "walling the horizon.
These, like many in Rabelais, are mere barbarisms unless generally adopted; in which case they become civilised and common currency. Despite objections manifold and manifest, I have preserved the balance of sentences and the prose rhyme and rhythm which Easterns look upon as mere music. This "Saj'a," or cadence of the cooing dove, has in Arabic its special duties. It adds a sparkle to description and a point to proverb, epigram and dialogue; it corresponds with our "artful alliteration" which in places I have substituted for it and, generally, it defines the boundaries between the classical and the popular styles which jostle each other in The Nights.
If at times it appear strained and forced, after the wont of rhymed prose, the scholar will observe that, despite the immense copiousness of assonants and consonants in Arabic, the strain is often put upon it intentionally, like the Rims cars of Dante and the Troubadours. In the Terminal Essay I shall revert to the subject. On the other hand when treating the versical portion, which may represent a total of ten thousand lines, I have not always bound myself by the metrical bonds of the Arabic, which are artificial in the extreme, and which in English can be made bearable only by a tour de force.
I allude especially to the monorhyme, Rim continuat or tirade monorime, whose monotonous simplicity was preferred by the Troubadours for threnodies. It may serve well for three or four couplets but, when it extends, as in the Ghazal-cannon, to eighteen, and in the Kasidah, elegy or ode, to more, it must either satisfy itself with banal rhyme words, when the assonants should as a rule be expressive and emphatic; or, it must display an ingenuity, a smell of the oil, which assuredly does not add to the reader's pleasure. It can perhaps be done and it should be done; but for me the task has no attractions: I can fence better in shoes than in sabots.
Finally I print the couplets in Arab form separating the hemistichs by asterisks. And now to consider one matter of special importance in the book- -its turpiloquium. This stumbling-block is of two kinds, completely distinct. It uses, like the holy books of the Hebrews, expressions "plainly descriptive of natural situations;" and it treats in an unconventionally free and naked manner of subjects and matters which are usually, by common consent, left undescribed.
As Sir William Jones observed long ago, "that anything natural can be offensively obscene never seems to have occurred to the Indians or to their legislators; a singularity? And they are prying as children. For instance the European novelist marries off his hero and heroine and leaves them to consummate marriage in privacy; even Tom Jones has the decency to bolt the door. But the Eastern story teller, especially this unknown "prose Shakespeare," must usher you, with a flourish, into the bridal chamber and narrate to you, with infinite gusto, everything he sees and hears.
Withal The Nights will not be found in this matter coarser than many passages of Shakespeare, Sterne, and Swift, and their uncleanness rarely attains the perfection of Alcofribas Naiser, "divin maitre et atroce cochon. In accordance with my purpose of reproducing the Nights, not virginibus puerisque, but in as perfect a picture as my powers permit, I have carefully sought out the English equivalent of every Arabic word, however low it may be or "shocking" to ears polite; preserving, on the other hand, all possible delicacy where the indecency is not intentional; and, as a friend advises me to state, not exaggerating the vulgarities and the indecencies which, indeed, can hardly be exaggerated.
For the coarseness and crassness are but the shades of a picture which would otherwise be all lights. The general tone of The Nights is exceptionally high and pure. The devotional fervour often rises to the boiling point of fanaticism.
The pathos is sweet, deep and genuine; tender, simple and true, utterly unlike much of our modern tinsel. Its life, strong, splendid and multitudinous, is everywhere flavoured with that unaffected pessimism and constitutional melancholy which strike deepest root under the brightest skies and which sigh in the face of heaven: -- Vita quid est hominis?
Viridis floriscula mortis; Sole Oriente oriens, sole cadente cadens. Here we have nothing of that most immodest modern modesty which sees covert implication where nothing is implied, and "improper" allusion when propriety is not outraged; nor do we meet with the Nineteenth Century refinement; innocence of the word not of the thought; morality of the tongue not of the heart, and the sincere homage paid to virtue in guise of perfect hypocrisy.
Explanatory notes did not enter into Mr. Payne's plan. They do with mine: I can hardly imagine The Nights being read to any profit by men of the West without commentary. My annotations avoid only one subject, parallels of European folklore and fabliaux which, however interesting, would overswell the bulk of a book whose speciality is anthropology.
The accidents of my life, it may be said without undue presumption, my long dealings with Arabs and other Mahommedans, and my familiarity not only with their idiom but with their turn of thought, and with that racial individuality which baffles description, have given me certain advantages over the average student, however deeply he may have studied.
These volumes, moreover, afford me a long sought opportunity of noticing practices and customs which interest all mankind and which "Society" will not hear mentioned. Hence a score of years ago I lent my best help to the late Dr.
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James Hunt in founding the Anthropological Society, whose presidential chair I first occupied pp. I, My motive was to supply travellers with an organ which would rescue their observations from the outer darkness of manuscript, and print their curious information on social and sexual matters out of place in the popular book intended for the Nipptisch and indeed better kept from public view. But, hardly had we begun when "Respectability," that whited sepulchre full of all uncleanness, rose up against us. Yet the organ was much wanted and is wanted still.
All now known barbarous tribes in Inner Africa, America and Australia, whose instincts have not been overlaid by reason, have a ceremony which they call "making men. Amongst the civilised this fruit of the knowledge tree must be bought at the price of the bitterest experience, and the consequences of ignorance are peculiarly cruel. Here, then, I find at last an opportunity of noticing in explanatory notes many details of the text which would escape the reader's observation, and I am confident that they will form a repertory of Eastern knowledge in its esoteric phase.
The student who adds the notes of Lane "Arabian Society," etc.
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For facility of reference an index of anthropological notes is appended to each volume. The reader will kindly bear with the following technical details. Steinhaeuser and I began and ended our work with the first Bulak "Bul. But when preparing my MSS.
Like most Eastern scribes the Editor could not refrain from "improvements," which only debased the book; and his sole title to excuse is that the second Bulak Edition 4 vols. The Calcutta "Calc. This "Mac. Maximilian Habicht I have not used this missionary production. As regards the transliteration of Arabic words I deliberately reject the artful and complicated system, ugly and clumsy withal, affected by scientific modern Orientalists. Nor is my sympathy with their prime object, namely to fit the Roman alphabet for supplanting all others.
Those who learn languages, and many do so, by the eye as well as by the ear, well know the advantages of a special character to distinguish, for instance, Syriac from Arabic, Gujrati from Marathi.
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Again this Roman hand bewitched may have its use in purely scientific and literary works; but it would be wholly out of place in one whose purpose is that of the novel, to amuse rather than to instruct. Moreover the devices perplex the simple and teach nothing to the learned. Either the reader knows Arabic, in which case Greek letters, italics and "upper case," diacritical points and similar typographic oddities are, as a rule with some exceptions, unnecessary; or he does not know Arabic, when none of these expedients will be of the least use to him.
Indeed it is a matter of secondary consideration what system we prefer, provided that we mostly adhere to one and the same, for the sake of a consistency which saves confusion to the reader. I have especially avoided that of Mr. Lane, adopted by Mr. Payne, for special reasons against which it was vain to protest: it represents the debased brogue of Egypt or rather of Cairo; and such a word as Kemer ez-Zeman would be utterly un- pronounceable to a Badawi. Nor have I followed the practice of my learned friend, Reverend G. Badger, in mixing bars and acute accents; the former unpleasantly remind man of those hateful dactyls and spondees, and the latter should, in my humble opinion, be applied to long vowels which in Arabic double, or should double, the length of the shorts.
Badger uses the acute symbol to denote accent or stress of voice; but such appoggio is unknown to those who speak with purest articulation; for instance whilst the European pronounces Mus-cat', and the Arab villager Mas'-kat; the Children of the Waste, "on whose tongues Allah descended," articulate Mas-kat. I have therefore followed the simple system adopted in my "Pilgrimage," and have accented Arabic words only when first used, thinking it unnecessary to preserve throughout what is an eyesore to the reader and a distress to the printer.
In the main I follow "Johnson on Richardson," a work known to every Anglo-Orientalist as the old and trusty companion of his studies early and late; but even here I have made sundry deviations for reasons which will be explained in the Terminal Essay. As words are the embodiment of ideas and writing is of words, so the word is the spoken word; and we should write it as pronounced.
Strictly speaking, the e-sound and the o-sound viz.